Sabtu, 30 November 2019

Chocolat 2000 Filmaffinity

Chocolat 2000 Filmaffinity






Chocolat 2000 Filmaffinity- crédito - untertitel -DVD-Filmaffinity- spoiler -año- it alienisch .jpg



Chocolat 2000 Filmaffinity




Equipo De Filmación




Coordinación Departamento de arte:
Sherman Diana


Coordinador de acrobacias:
Patel Shivam


Diseño de guión:
Delpha Ronin


Imágenes : Pinabel Teri
Co-Produzent : Gwion Mahala


Productor ejecutivo : Atreyu Lévana


Director de arte supervisor:
Najmo Trea


Produce|Producir : Colby Aglaé


Fabricante: Neela Junior


Actriz : Ismael Austin








6.9
2019















































Título de la película






Chocolat 2000 Filmaffinity







Reloj




111 minuto





Lanzamiento




2000-12-14





precio




MPE 1440p
DVD





Categoría




Comedy, Drama, Romance





habla




English, Français





nombre de reparto




Edie
N.
Radia, Cosmo FilmCartan C. Daniel, Gethyn F. Jayden







[HD] Chocolat 2000 Filmaffinity



A fable of emotional liberation and chocolate. A mother and daughter move to a small French town where they open a chocolate shop. The town, religious and morally strict, is against them as they represent free-thinking and indulgence. When a group of Boat Gypsies float down the river the prejudices of the Mayor leads to a crisis.


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TAG :

Chocolat 2000 Filmaffinity

Chocolat 2000 en Cine

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Chocolat 2000 En Castellano

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Chocolat 2000 En Español Completa

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Where Do We Go Now? 2011 Filmaffinity

Where Do We Go Now? 2011 Filmaffinity






Where Do We Go Now? 2011 Filmaffinity- español - film -BDRip- HD gratis en línea - runtime -año- stre en línea.jpg



Where Do We Go Now? 2011 Filmaffinity




Equipo De Filmación




Coordinación Departamento de arte:
Deenah Nevaeh


Coordinador de acrobacias:
Ullman Amel


Diseño de guión:
Carylon Linder


Imágenes : Thiago Ismaël
Co-Produzent : Gigi Madic


Productor ejecutivo : Yoan Jaque


Director de arte supervisor:
Mounier Padé


Produce|Producir : Primeau Kolby


Fabricante: Keturah Valérie


Actriz : Noélia Yusuf








7.5
95















































Título de la película






Where Do We Go Now? 2011 Filmaffinity







Reloj




118 segundos





Lanzamiento




2011-05-16





precio




DTS 720p
HDTS





Categoría




Drama, Comedy





habla




English, العربية, Pусский





nombre de reparto




Louella
C.
Wolff, RobtoshSanchez T. Anushka, Tisdale P. Harriet







[HD] Where Do We Go Now? 2011 Filmaffinity



On a remote, isolated, unnamed Lebanese village inhabited by both Muslims and Christians. The village is surrounded by land mines and only reachable by a small bridge. As civil strife engulfed the country, the women in the village learn of this fact and try, by various means and to varying success, to keep their men in the dark, sabotaging the village radio, then destroying the village TV.


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TAG :

Where Do We Go Now? 2011 Filmaffinity

Where Do We Go Now? 2011 en Cine

Where Do We Go Now? 2011 Estreno España

Where Do We Go Now? 2011 En Castellano

Where Do We Go Now? 2011 Doblaje España

Where Do We Go Now? 2011 En Español Completa

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Where Do We Go Now? 2011 La Película titile 2011 Completa en Español

Where Do We Go Now? 2011 Ver Where Do We Go Now? 2011 Online Castellano

Where Do We Go Now? 2011 Pelicula Completa Castellano

The Hitman's Bodyguard 2017 Filmaffinity

The Hitman's Bodyguard 2017 Filmaffinity






The Hitman's Bodyguard 2017 Filmaffinity- subtitrat -SDDS-DVDScr- 123MOVIE - descargar -año-stream .jpg



The Hitman's Bodyguard 2017 Filmaffinity




Equipo De Filmación




Coordinación Departamento de arte:
Butor Henri


Coordinador de acrobacias:
Jahmar Picault


Diseño de guión:
Dani Nelle


Imágenes : Amya Tulloch
Co-Produzent : Howell Zahran


Productor ejecutivo : Kirby Aryo


Director de arte supervisor:
Zulal La Roux


Produce|Producir : Buffet Lipton


Fabricante: Duras Caswell


Actriz : Tautou Hugon








6.8
3413















































Título de la película






The Hitman's Bodyguard 2017 Filmaffinity







Duración




188 minutos





Lanzamiento




2017-08-16





precio




DTS 720p
DVD





Categoría




Action, Comedy





lenguaje




Français, English, Pусский





nombre de reparto




Momsen
W.
Alicia, G4 MediaDelvin H. Aksil, Lawson Z. Elone







[HD] The Hitman's Bodyguard 2017 Filmaffinity


For professional Bodyguard Michael Bryce (Ryan Reynolds), life is good. As an elite member of his craft, he is well paid and lives a very good life keeping high-profile targets safe the world over. When things unexpectedly take a turn we find Michael two years on having hit the skids and struggling to claw his way back to prominence in the new film “The Hitman’s Bodyguard”.
Things become complicated for Michael as a despotic tyrant named Dukhovich (Gary Oldman) is on trial for war crimes and countless atrocities, and is about to go free due to removing all those who would be able to testify against him with credible evidence.  That is with the exception of one Darius Kincaid (Samuel L. Jackson).  Darius is incarcerated but makes a deal to testify in exchange for his wife (Selma Hayek), being granted freedom.  Darius knows he is a marked man but takes the chance and under the watch of Interpol Agent Roussel (Elodie Yung), they set off.
Naturally things do not go as planned and the two find themselves fleeing for their lives with numerous deadly assassins hot on their heels.  Unsure who she can trust, Roussel calls in Michael even though they have some seriously unresolved issues about one another that destroyed their previous relationship. Further complicating matters is the history Michael and Darius share which makes them naturally hostile to one another.
Nevertheless, Michael and Darius set off to reach the courtroom but the imposed deadline and face numerous dangers and hilarious situations along the way.
Jackson and Reynolds work very well with one another and their banter and chiding comes across as very natural.  The jokes come more often than I expected but the film is very much an action film, and the sequences are intense, funny, and gripping, especially and extended chase and fight sequence along the canals and shopping district of Amsterdam.
While some may say that the film is just a variation on the Buddy Cop genre of old, the strong cast and the winning mix of jokes and action make the film a very pleasant surprise and one of my more enjoyable films of 2017. It was a highly-enjoyable thrill ride and one of the best films this summer.
If you are a fan of action, comedies, and the pairing of Jackson and Reynolds, do not miss this film.
4 stars out of 5.
_The Hitman's Bodyguard_ is getting absolutely flensed by the critics, including several of whom I personally value the opinion of very highly. But when it comes to _The Hitman's Bodyguard_, I gotta flat out disagree. It's not out here changing lives for the better, and it's hardly gonna ride out the year on a palanquin of Oscar nominations, but I had a seriously enjoyable time with The Hitman's Bodyguard. Jackson and Reynolds worked. The leads and their respective romantic entanglements worked. Most of all, director Patrick Hughes worked his ass of to blend comedy, action and romance and have it pay off. This isn't Hughes' best work though, if you want to see that, check out 2010's _Red Hill_.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
**Once upon a time two sworn enemies teamed up!**

Maybe the critics are right, but like usual, I don't have to agree with them. This is a nice film, not a great film as a few people lauding. It is entertaining. All the stunts were good, comedies were good enough, but the basic plot itself a cliche. Yes, anybody aged 20+ would surely have seen many similar storied films. It's just in another time with another cast and crew. They had promoted it so well. So the result was incredible. But in reality JUST one time watchable film with not expecting serious laughs.

Initially I thought it could be this year's 'The Nice Guys', and they are about to repeat the same magic of Crowe and Gosling duo. But it was different. Too hard hitting, just what Tarantino fans would like to have. Besides, their guy, Samuel L. Jackson is here. Both the leads were good. That does not mean they have saved the film. That's an assumption of fanboys. Luck could be another factor!

It was about a hitman in capture decides to give an important testimony in the International Criminal Court against a powerful man. So now the bad guys are after him in his every move from England to Holland. A demoted bodyguard takes the job to safely get him to his destination. Their journey begins where they are going to encounter a series of obstacles and they finally make it where a major twist comes in before the end.

As I said, this is no special, except the way they have presented on the screen makes the difference. But again, not all films are lucky in that criteria as this one. It is like one in a 20-25 films. So if your objective is timepass, then this will do just fine. There could be a sequel, probably prequel seems a nice idea. But I'm not sure whether I want it or not. I'll just be happy if they do!

_7/10_
The world top bodyguard gets a new client, a hit man who must testify at the International Court of Justice. They must put their differences aside and work together to make it to the trial on time.


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The Hitman's Bodyguard 2017 Filmaffinity

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Event Horizon 1997 Filmaffinity

Event Horizon 1997 Filmaffinity






Event Horizon 1997 Filmaffinity- le - kostenlos -DVDScr- Película completa en HD - hd -año- ganzer film .jpg



Event Horizon 1997 Filmaffinity




Equipo De Filmación




Coordinación Departamento de arte:
Taine Katya


Coordinador de acrobacias:
Onome Amélia


Diseño de guión:
Helèna Djenna


Imágenes : Shaina Mahaut
Co-Produzent : Darren Slania


Productor ejecutivo : Taïs Kühner


Director de arte supervisor:
Jasreen Lior


Produce|Producir : Yonael Arthus


Fabricante: Salomé Dima


Actriz : Meleri Dupérey








6.5
1352















































Título de la película






Event Horizon 1997 Filmaffinity







Momento




132 segundos





Lanzamiento




1997-08-15





valor




AAF 720p
DVDScr





Categoría




Horror, Science Fiction, Mystery





habla




English, Latin





nombre de reparto




Jamey
C.
Avaiyah, Trishula ProductionsGabin H. Sanav, Bhavesh H. Hartley







[HD] Event Horizon 1997 Filmaffinity


In the year 2040, a spacecraft called the Event Horizon was sent out to journey among the stars with an experimental gravity drive that purported to allow faster-than-light travel. On its maiden voyage, however, it vanished. Seven years later, it has returned, orbiting Neptune, and a rescue crew is sent out to investigate, along with the scientist responsible for the ship’s creation. The rescue crew of the Lewis and Clark are a group of no-nonsense blue-collar workers, led by Captain Miller (Laurence Fishburne), with Dr. William Weir (Sam Neill) along for his expertise. When they arrive at the Event Horizon, they find the crew long dead. “This ship is a tomb,” judges Captain Miller at one point. The rescue team begins to realize that the ship passed through a black hole created by the gravity drive, but didn’t return alone. The ship with a long-dead crew shows life signs. The rescue team begins to have terrifying visions. The gravity drive begins to spin of its own accord...

Something is loose on the ship, and the rescue team has to not only unravel out what happened to the original crew, but also protect themselves from the horrors that returned with the ship. It’s a simple but sturdy setup, standard B-movie stuff. What elevates Event Horizon is its first-class production design and solid atmosphere. Paul W.S. Anderson (Mortal Kombat, Resident Evil, Alien vs. Predator) is not a name one would generally associate with good film product these days, but here he managed (in spite of himself, one may think given the rest of his output) to present a film steeped in suspense, with strong performances, gorgeous set pieces, and palpable horror.

Let’s be honest: there’s nothing new here. The strength of this film lies in how it fits together the pieces it stole from other films. This is very much (and very completely) The Shining by way of Alien, even to the point of lifting the character archetypes directly from Ridley Scott’s 1979 masterpiece. The Event Horizon is the Overlook Hotel, teeming with supernatural power and malice. The film delves into gore in its last third, but it’s not quite proficient enough to have it enhance the scares (which were doing just fine before the blood started flowing so freely). However, the film is even structured like Alien and The Shining, all slow burn and building dread until things begin to go to hell (literally, perhaps). The cast have stock characters but they bring them to life admirably, particularly Neill and Fishburne; among the secondary characters, Kathleen Quinlan, Jack Noseworthy, and Sean Pertwee are particularly memorable. The script by Philip Eisner is derivative but effective, and Anderson was clearly at the peak of his directorial prowess here. Don't misunderstand me to say that the film's lifts from other works make it bad; it's certainly not. Originality is overrated as an attribute, and fairly value-neutral even on the best of days. I'd much rather have a tale well-told than one that does weird things simply for the sake of doing weird things (French sci-fi/fantasy directors, I'm looking at you. Yes, you, Jeunet), though the greatest films find a way to combine both sturdy storytelling and originality in the medium. In total, Event Horizon is a very effective sci-fi horror film, breaking no new ground but doing what it does very well. A minor classic of the sci-fi horror genre.
You know nothing. Hell is only a word. The reality is much, much worse.

Event Horizon is directed by Paul W.S. Anderson and written by Philip Eisner. It stars Sam Neil, Laurence Fishburne, Joely Richardson, Kathleen Quinlan, Richard T. Jones, Sean Pertwee, Jason Isaacs and Jack Noseworthy. Music is by Michael Kamen and orbital and cinematography is by Adrian Biddle.

2047 and a group of astronauts are sent to investigate the 'Event Horizon' which disappeared mysteriously 7 years ago. It has returned minus its crew and now the crew of the 'Lewis and Clark' become exposed to horrifying secrets of the ghost ship...

It is what it is, a haunted house chiller set on a space ship. It's derivative within the genre but it does the genre staples with no little amount of quality. The tone is set from the opening credits being accompanied by a ferociously foreboding musical score, and from there the pic delivers a "who is going to get killed and in what order" process - and why? Just what is the mystery at the core of it all?.

A great cast has been assembled, which lifts it above its "B" movie roots, so with some thoughtful ideas within the narrative, it's easy to buy into the characterisations. Naturally the blood will flow, devilishly so, but the makers here put a different slant on the sci-fi/horror assailant thread. Of course it gets a bit by the numbers come the final quarter, arguably a bit hokey in fact, but it's very effective and perfect for a lights off viewing experience.

Smart production design helps keeps up the chilly feel to proceedings, whilst the bleak tonal flows that director Anderson goes for really draws the engaged observer in. It's neither ground breaking or a top line film of its type, but holding up on repeat viewings it proves to be a sturdy and unsettling space based chiller. 7/10
In 2047 a group of astronauts are sent to investigate and salvage the starship 'Event Horizon' which disappeared mysteriously 7 years before on its maiden voyage. With its return, the crew of the 'Lewis and Clark' discovers the real truth behind the disappearance of the 'Event Horizon' – and something even more terrifying.


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Event Horizon 1997 Filmaffinity

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Marriage Story 2019 Filmaffinity

Marriage Story 2019 Filmaffinity






Marriage Story 2019 Filmaffinity- mí - mit untertitel -VHSRip- 123MOVIE - rating -año- película de ganzer .jpg



Marriage Story 2019 Filmaffinity




Equipo De Filmación




Coordinación Departamento de arte:
Arianne Vidhi


Coordinador de acrobacias:
Gunnar Linxi


Diseño de guión:
Zeman Dedra


Imágenes : Xaria Darshil
Co-Produzent : Keelin Afruza


Productor ejecutivo : Hooks Junhao


Director de arte supervisor:
Adolphe Aubé


Produce|Producir : Melanie Best


Fabricante: Klaudie Audrea


Actriz : Rifki Helaine









25















































Título de la película






Marriage Story 2019 Filmaffinity







Hora




122 minuto





Lanzamiento




2019-11-21





valor




ASF 1440p
WEBrip





Categorías




Drama, Comedy





habla




English





nombre de reparto




Rhodes
T.
Cynthia, Bausan FilmsDelvin B. Michai, Orozco H. Nazneen







[HD] Marriage Story 2019 Filmaffinity



A stage director and his actor wife struggle through a grueling, coast-to-coast divorce that pushes them to their personal and creative extremes.

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Clint Eastwood Wikipedia den frie encyklopædi ~ Eastwood havde sin eneste optræden som tvinstruktør i 1985episoden Vanessa in the Garden fra Amazing Stories med Harvey Keitel og Locke i hovedrollerne Det var samtidig hans første samarbejde med Steven Spielberg som senere assisterede i indspilningerne af Flags of Our Fathers og Letters from Iwo Jima

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Elizabeth Gaskell Wikipedia den frie encyklopædi ~ Biografi Mrs Gaskell var datter af en embedsmand William Stevenson hvis løbebane havde været ret afvekslende dissenterpræst landmand kostskoleforstander medarbejder ved Edinburgh moderen døde ved hendes fødsel blev hun adopteret af en moster der boede i den lille by Knutsford i Cheshire hvor hun levede til sit 15 år og igen fra sit 19—22 da hun ægtede

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Katharina af Aragonien Wikipedia den frie encyklopædi ~ Katharina blev født i Alcalá de Henares ved Madrid i Spanien den 16 december 1485 som det yngste overlevende barn af regentparret Ferdinand 2 af Aragonien og Isabella 1 af na var ikke særlig høj med langt gyldent rødbrunt hår der var et kendetegn for familien Trastámara der var efterkommere af Peter 1 af Kastilien et rundt ansigt med store blå øjne og en lys teint



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Marriage Story 2019 Filmaffinity

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Batman v Superman: Dawn of Justice 2016 Filmaffinity

Batman v Superman: Dawn of Justice 2016 Filmaffinity






Batman v Superman: Dawn of Justice 2016 Filmaffinity- en -AVI-DVDScr- en Redbox - ign -año- inglés .jpg



Batman v Superman: Dawn of Justice 2016 Filmaffinity




Equipo De Filmación




Coordinación Departamento de arte:
Goulue Lacee


Coordinador de acrobacias:
Zaynah Péju


Diseño de guión:
Sarah Sérine


Imágenes : Naelle Edvinas
Co-Produzent : Elianna Zenib


Productor ejecutivo : Mikayla Mandeep


Director de arte supervisor:
Provine Julita


Produce|Producir : Jason Hendrix


Fabricante: Marcil Linkin


Actriz : Russ Foing








5.8
12503















































Título de la película






Batman v Superman: Dawn of Justice 2016 Filmaffinity







Hora




146 segundos





Lanzamiento




2016-03-23





valor




Dolby Digital 1440p
WEBrip





Categorías




Action, Adventure, Fantasy





habla




English





nombre de reparto




Pichot
O.
Lerone, AOL ProductionsClelie U. Laurene, Leonela S. Nazneen







[HD] Batman v Superman: Dawn of Justice 2016 Filmaffinity


Awesome moview. Best Action sequence.

**Slow in the first half**
One would think that the ultimate showdown between two of the most iconic super-heroes would make for some downright compelling action-oriented exploits against a landscape of angst and destruction. Plus, it certainly did not hurt that exhilarating filmmaker Zack Snyder (‘300’) was at the helm in bringing together the colorfully and concocted confrontation between The Caped Crusader and The Man of Steel. Also, it should have been an effortless task to bring together **Batman v Superman: Dawn Of Justice** leading men Ben Affleck and Henry Cahill since they had prior experiences donning heroic attire as mighty super-heroes on call to save the day. So why then does Snyder’s big-budgeted connect-the-dots comic book caper feel so incoherently stiff and aimless?

The dour randomness of **Batman v Superman: Dawn Of Justice** is quite disappointing because this moping actioner wants to grab more than it can chew in its crowded mouth. Snyder and screenwriters David S. Goyer and Chris Terrio aspire to plug in such contemplative issues pertaining to moral ambivalence, political platitudes and religious themes but none of these factors energize or sustain this action-packed narrative that seems to slouch all at the expense of a sluggish approach to the mechanical hedonism that labors.

There is no doubt that **Dawn of Justice** has its share of visual opulence as this is obviously expected in an expansive superhero saga where the proven selling point are two mythical comic book titans spearheading the pumped-up proceedings. Again an overreaching script that plods along, a couple of super-powered sourpusses going the moody motions and the lack of carefree robust action undermine the potential explosiveness that **Dawn of Justice** could have capitalized on with dynamic aplomb.

Sure, there is a noted curiosity and interesting element about the topic of “heroism fatigue” and hidden demons that could have certainly contributed to the psychological strain for our Caped Courageous Ones. Still, **Dawn of Justice** never quite turns this premise into a sparkling case of burn-out conviction, Instead, knuckle-dragging duo of Bruce Wayne/Batman (Affleck) and Clark Kent/Superman (Cavell) make the common sleeping pill look like an excitable bag of M&M candy treats. Thankfully, another fan favorite superhero in the form of Wonder Woman (Gal Godot) is thrown into the mix to break up the monotony of the boorish Boys Club. Unfortunately, the appearance of the wily Wonder Woman during the tail end of the second half is too little and too late for her welcomed presence to rescue the film’s clunky pacing.

Gotham’s Bruce Wayne and Metropolis’s Clark Kent are experiencing setbacks that could be perceived as reaching the depressive crossroads. For starters, a maturing Wayne’s/Batman’s crime-fighting prospects have been tailing off drastically. As for Kent/Superman his existence at the Daily Planet newspaper seems mundane especially when his boss in editor Perry White (Laurence Fishburne) declares that the public has moved away from print given the major impact of social media and other online resources. So yes…Wayne and Kent are in a critical funk in their professional lives both in and out of their familiar costumes. However, can the slumping cities afford two down-and-out superheroes when one can probably carry the load in rough, unsure times?

When the film establishes the dilemma that there can be only one muscle-bound ego to handle the affairs of the region’s unprotected this is where the **Batman v Superman** portion of **Dawn of Justice** looks as if the frenetic fantasy will percolate. Inexplicably, the hype involving the sparring twosome is put on hold as the exposition takes its tedious time building up the conflict to satisfy the clashing insecurities of the capable caped crime-stoppers. For those that witnessed Cavell’s mediocre **Man of Steel** a few years ago will probably understand the current bad blood that exists between the two super studs. Whatever the case both Batman and Superman have pegged each other as brawny bad news ambassadors…something that does not sit well with either struggling superhero as their revered reputations are on the line.

Naturally, there are other outside forces to consider as the acrimonious overtones continue to flow between the brooding mega-powers. The famed instigator in Superman foe Lex Luthor (Jesse Eisenberg) is realized as the high-tech billionaire nuisance that has an underlying scheme to eradicate both bickering super powers once and for all but not before Luthor pronounces his take on philosophical tirades. In the meantime, Lois Lane (Amy Adams) is on board to profess her undying love and support for her desired dreamboat Superman. Luthor loathing Superman while Lane fantasizing about her strong flashy fly boy. In other words it is business as usual. While Superman is trying to figure out his place in the sun Snyder piles on the bothersome dreamy anxieties that plague the aging Wayne.

**Batman v Superman: Dawn of Justice** is a jumbled mess. Snyder undertakes a convoluted production and tries to sell it as a sophisticated meeting of the misplaced minds between two embattled entities embroiled in uncertainty and super-sized cynicism. Still, Snyder’s vision is mishandled as he seems to have forgotten one crucial point–simply making an action movie that registers with genuine thrills. One cannot help but stumble upon the pretentiousness and piousness that ruins this boneless blockbuster. The film finally decides to stack on the combinations of boisterous match-ups involving everyone but the kitchen sink but all comes off as frivolously forced. Cavell was never really an enticing Superman ever since he donned the big “S” on his chest back in 2013’s** Man of Steel**. Affleck’s Batman is a little more palatable but the constant scowl (both on his face and on the mask) is too much to digest. One would not mind yelling at the screen for Affleck’s alter ego to lighten up a bit.

The supporting players are virtually wasted in this exhausting CGI popcorn pleaser. Eisenberg, normally a trustworthy performer with considerable scope, merely irritates as the punkish techno-magnate Luthor. The always radiant Adams is a wash as the gushing Lois Lane. Oscar-winner Jeremy Irons’s Alfred the butler won’t make anyone forget Micheal Caine’s take on Wayne’s trusty man servant anytime soon. Even the reliably adventurous Oscar-nominated actor Michael Shannon cannot exuberantly bring to life the menacing presence of Zod.

Humorless and hackneyed, **Batman v Superman: Dawn of Justice** will probably satisfy indiscriminate devoted fans that will buy into the proposed heralded rivalry. As for others, they will wonder what lies ahead in terms of other League of Justice movies that hopefully can muster up more entertaining stimulation than this over-indulgent doomsday dud. Is anyone up for **Wonder Woman vs. Redwing** with an empowering feminine twist?

**Batman v Superman: Dawn of Justice** (2016)

Warner Bros. Pictures

2 hrs. 30 mins.

Starring: Ben Affleck, Henry Cavill, Amy Adams, Jesse Eisenberg, Laurence Fishburne, Jeremy Irons, Diane Lane, Gal Gadot, Holly Hunter, Michael Shannon, Ray Fisher

Directed by: Zack Snyder

MPAA Rating: PG-13

Genre: Science Fiction/Fantasy/Action and Adventure/Superhero Saga

Critic’s rating: ** stars (out of 4 stars)

(c) Frank Ochieng
A bit slow but overall good. There are many sub plots in the movie that could've been made into independent movies of their own.
> Know your enemy's weakness before challenging to a fight!

It is known that critics have no brain. It is the best Superman film as Henry Cavill in the red and blue suit. Yep, I know it is always DC versus Marvel, so it is then DC's reply to the 'Avengers'. I don't care their rivalries, as a film fanatic, I enjoy good films and I found it was so good. But I was a bit worried after the Superman was shown in a dark shade in the trailer, especially after Batwan was overly stylised by Nolan, I thought the black suit would take over. After watching the film I was relieved and happy that Batman was exposed.

Batman fans might have been disappointed, but for the superhero and DC fans, this film is a great treat. You can't compare it with 'Avengers', it had its own style. It follows the 'Man of Steel' and directed by the same director. Excellent cast. I have never been the Ben Affleck hater, so I had no objection to his role in this. He did good along with Cavill and others. He would do better in his solo Batman films if Zack Snyder is retained to script and direct them.

I'm not a comic book reader, so I did not know the story before the watch. I was surprised for the Wonder Woman's part in the film. The visuals were awesome, the story was unpredictable, well developed characters, cleverly composed scenes, wonderful stunt sequences and the film's overall tone was kind of dark and gloomy, a very satisfying superhero film. The content balance was perfect, but the characters did not do the same as we know Superman is a father of all superheroes.

I already watched it twice and I can't wait for its sequel. Especially looking forward for Jesse Eisenberg, because he was kind of stayed low in this and I hope his character Lex becomes much stronger. It is a PG13, and there's nothing botherable stuffs in it for the underage audience, but I felt it is targeted for adults because of the matured flavour. Don't think about that I said, just watch it, it will definitely entertain you well if not blow you away. Surely recommended to all.

8/10
I still have faith in the DCU but this movie had problems. Watch my full review here.

http://www.hweird1reviews.com/allreviews/bvsreview
As I write this review I have just had a thoroughly disappointing movie experience and it so just happens that I have some strong feelings about the source material for this movie so be prepared for a bit of ranting and a few more “adult” words than usual.

I have to say that I bought this movie only because I felt I wanted it in my collection just for it to be complete. I was really expecting to be, shall we say, not impressed. A movie about Batman and Superman, heroes that I grew up with, fighting is not my kind of movie.

In the end I realized that my expectations of crappines was not enough. I really disliked this movie. In short succession this movie turns several of my childhood heroes to bad guys and the greatest superman bad guy into a unstable hippie-like jerk that goes through the movie behaving like he is a drug addict. So basically this movie went drown the drains for me straight away and then I have not even gotten started about the plot. Actually I felt so annoyed over this crap that I actually spent time taking notes while I was watching.

Let me see what I noted. Lex Luther is a fucking joke. Alfred, the same. Jimmy Olsen a fucking CIA agent? You got to be fucking kidding me! And not only does he screw Lois Lane but gets himself shot after a few seconds of screen time.

Same stupid nonsense about XXX being too powerful, is a threat and needs to be government controlled that has been used in hundreds. if not thousands, of crappy low and high budget action movies. I hate that crap. It is stupid, stupid, stupid.

Weird and totally uninteresting dream scenes, what the f... did the writer smoke? If they wanted to pad the movie it a) was a crappy way of doing it and b) why? With over three hours (Ultimate Edition) it is way to long for such a crappy movie anyway.

Oh, here is a (somewhat) positive note at least. It was indeed rather funny that they had chosen CNN to spew out the nonsense conspiracy theories about Superman being responsible for the bomb in the wheelchair. Fake news anyone?

I had a little bit of enjoyment of the movie during the last part of the movie when it finally turned into a bit of action. Batman’s car and plane was cool. The action, once Batman getting knocked on his head enough to get to his senses again, was a nice chunk of CGI goodness. That I have to admit.

Okay, after three, mostly painful, hours the movie finally comes to an end. And what an end. Meh!!! Not only was it a crappy ending but they managed to drag it out forever with excruciatingly boring scenes.

I am sure a lot of the above can be said to be subjective. For instance my dislike of the way my childhood characters where treated. I am not a professional reviewer though so this is my personal take of the movie. If you don’t like it, fine with me and good for you but do not feel obliged to tell me about it.
Very short synopsis : Batman has been hit hard by the events of Man of Steel : a "god" descends on earth, is confronted by another god, and they fight, killing thousands of humans. He learns about a rock coming from his birth planet that can weaken or kill him. It's the property of Lex Luthor, who could target Superman too, but with evil purpose.

So I won't go deeper in the story. This movie, unlike most other superhero movie, is targeting adults. I don't mean 18 or 21 year old, I mean mature beings that have endured bad things in life, and have taken the time to see the goods and bads of humanity. Yes, not the Marvel (Guardians of the galaxy, Ant man) target audience. Batman makes it clear (rejoined by the senator) : if a being is so powerful he can't be killed and can kill thousands, even if for now he does good, what happens if he becomes a villain? What laws or weapons can stop him?

Now going back to the movie and how it presents its argument. We have Batman's introduction to the new DC movie universe (death of parents, tortured psyche ...) done during the opening credits. That is both efficient and powerful. Then we see Bruce Wayne at the time of the Superman / Zod battle. We also see humans being scared and killed. So, yeah it's superhero movie making not showing merry world with superheroes saving humans. And doing funny quotes. It's people (or super people) facing tragedy and growing up to see how the future has to be settled. And then a new villain appears. Or rather, he appears as a careless billionnaire showing off - how could he be perceived as dangerous? He has the chance of having Batman wanting to take down Superman, when he wants the same thing, so he can go for his secondary plan to use Krypton technology to change the world.

So the last part of the movie is the fight of 3 super heroes against a creature created by the "god"'s technology and humanity's madness/evilness. Yes, it's not a villain that is there because you need one to fight the bad guys, it's yet another consequence of Kryptonians coming to earth.

So the films rolls out and I'm so stunned by the content I feel I was treated as a human being, not as a popcorn eating teenager or a comics fan. Just as someone that could appreciate great movie making.
Fearing the actions of a god-like Super Hero left unchecked, Gotham City’s own formidable, forceful vigilante takes on Metropolis’s most revered, modern-day savior, while the world wrestles with what sort of hero it really needs. And with Batman and Superman at war with one another, a new threat quickly arises, putting mankind in greater danger than it’s ever known before.


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Jumat, 29 November 2019

Rango 2011 Filmaffinity

Rango 2011 Filmaffinity






Rango 2011 Filmaffinity- publicar - stream hd -DTS-Duración de la película - todos -año- inglés .jpg



Rango 2011 Filmaffinity




Equipo De Filmación




Coordinación Departamento de arte:
Guibord Nedw


Coordinador de acrobacias:
Brandon Lorelei


Diseño de guión:
Ketija Klotz


Imágenes : Kypros Plourde
Co-Produzent : Dolcie Briley


Productor ejecutivo : Hafina Dalida


Director de arte supervisor:
Auteuil Hoquet


Produce|Producir : Maisee Maram


Fabricante: Pius Guillon


Actriz : Weam Pieter








6.6
3729















































Título de la película






Rango 2011 Filmaffinity







Hora




118 segundos





Lanzamiento




2011-03-02





valor




DAT 1080p
DVDrip





Género




Animation, Comedy, Family, Western, Adventure





lenguaje




English





nombre de reparto




Mariama
V.
Louetta, Hothouse ProductionsKahil Y. Firas, Macias X. Hervé







[HD] Rango 2011 Filmaffinity


Honestly, I wasn't excited to see this film. I know I'll just catch this in dvd. But since there's nothing to do and it's my birthday and Mayi will treat me, okay!

The animation was great. I really liked the animation. The story was alright too. But the pacing of the story was slow that I was close to snoozing off. I felt like there were some scenes in the movie that should've been cut off.
'Rango' is typically one of those movies that can't quite be categorized into this or that little genre of comedy. Obviously, it's an animated film. Is it a kiddie movie? Well… kind of. Allow me to elaborate. The film starts off absolutely hilariously, with an accident, half a road kill and a journey through the desert turned into a maniacal chase as soon as a hungry hawk gets wind of Rango's presence. After meeting a lovely lizard named Beans, he ends up in the small town of Dirt. Where, after a good deal of bluff and dumb luck, he is appointed sheriff. So far, no harm, no foul, just good comedy. In fact, nearly-wetting-my-pants-laughing-out-loud-comedy.

However, at this point is where it all turns just a little bit haywire. No real damage done, just a small sense of cluelessness as we go along. The story continues as though Gore Verbinski and John Logan were just trying to think of as many weird situations as they possibly could whilst forcibly trying to mash it up into one, cohesive storyline. Truth be told, seems like they were trying just a little bit too hard. It actually gets even a little bit boring here and there, where the pacing kind of sinks in up to the point where it all comes together and starts to make sense again. (Mind you – this could also be due to the fact that I was watching the extended version, not the theatrical one, but still.) But fear not, no real quality is lost, as 'Rango' provides some of the most excellent and funny characters I've ever seen in an animated movie. They also rounded up a perfect voice-cast, with Johnny Depp who doesn't sound anything like Jack Sparrow, but still adds the same kind of awkward quirkiness to his character. Alfred Molina's part is small but vital, and I'll bet you've never heard an armadillo with a perfect Mexican twang before… Bill Nighy is awesome as Rattlesnake Jake, and you can even hear a little bit of Davy Jones coming through sometimes. One of the best parts however, is done by Ray Winstone as Bad Bill. Who would expect some Wild West bad guy to have a cockney accent? Brilliant.

Another thing I must mention is the superb animation. Without a doubt the best I've ever seen from a non-Pixar production. Heck, even if it was Pixar it would have been their absolute best so far, and that's saying something. The animation parallels – or, dare I say, even surpasses – Finding Nemo. That's right; I said it, so sue me. Yep, Industrial Lights & Magic made a fan out of me.

Now, back to the original question – is it a kiddie movie? Yes and no. Some parts are totally hilarious and will have your youngsters rolling over the floor with laughter. Other parts will sail right over their little heads as they are very much grown-up humour with references to classic films and jokes they simply won't get. (Is it just me or did I catch a tiny reference to Fear and Loathing in Las Vegas in the beginning?) Another factor is that some of the humour is a little grim and quite mature for small children, with some of the creatures smoking, swearing and even getting shot and/or killed. Now, personally I don't know any children who would be upset by any of this, they see things that are much worse on a daily basis on the Disney channel. But then again, I'm not American, and it is my understanding that some American parents are hugely bothered by some of the elements in this movie. So I would recommend that you simply watch it first and then decide if you would like your children to see it. But honestly, I would try not to be too sensitive about it, it doesn't get scary anywhere and none of language or behaviour is really that bad.

All in all, 'Rango' is definitely a fun ride, and one of the few animated movies that will entertain as many adults as it will children.
_(July 2011)_
When Rango, a lost family pet, accidentally winds up in the gritty, gun-slinging town of Dirt, the less-than-courageous lizard suddenly finds he stands out. Welcomed as the last hope the town has been waiting for, new Sheriff Rango is forced to play his new role to the hilt.


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Rango 2011 Ver Rango 2011 Online Castellano

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The Princess and the Frog 2009 Filmaffinity

The Princess and the Frog 2009 Filmaffinity






The Princess and the Frog 2009 Filmaffinity- descarga - blu ray -HDTV-Google Drive mp4- mundo -año-stream .jpg



The Princess and the Frog 2009 Filmaffinity




Equipo De Filmación




Coordinación Departamento de arte:
Cullen Corbeil


Coordinador de acrobacias:
Julee Savoie


Diseño de guión:
Somia Nikolas


Imágenes : Clem Maite
Co-Produzent : Downey Buffier


Productor ejecutivo : Cadieux Viana


Director de arte supervisor:
Gamelin Sanjeet


Produce|Producir : Blevins Tanguy


Fabricante: Lamour Faure


Actriz : Allison Noone








7
3053















































Título de la película






The Princess and the Frog 2009 Filmaffinity







Hora




162 minutos





Lanzamiento




2009-12-08





valor




MPEG-1 1080p
HDRip





Género




Romance, Family, Animation





lenguaje




Français, English





nombre de reparto




Annie
U.
Sook, CreaSyn StudioAnand C. Léana, House L. Ricky







[HD] The Princess and the Frog 2009 Filmaffinity


After the third attempt to watch this film, I finally got through the first 15 minutes and am glad I did. There always seemed to be something to stop me from getting too far in. So, what did I think?

"Is it entertaining?" Yes. For the most part, the songs were enjoyable and the animation was fine. The pacing could be improved somewhat, mostly by eliminated 2-3 songs. 2 out of 3

"Is it interesting?" Yes. The character backgrounds and the story development were easily above the average kids movie. The plot was a tad predictable and the moral seemed to meander some. 2 out of 3

"Is it memorable?" Somewhat. The most unique thing were the character types. While the animation was fine, some of the human facial expressions were just off enough to be slightly creepy. I am glad most of the movie had some of the main characters as animals. 1.5 out of 3

Start with 1.
1+2+2+1.5=6.5
I will round up for the overall enjoyment of the time spent.
7 stars.
I have some questions, I have some comments, both of which may come across as moderately hostile, but I still enjoyed _The Princess and the Frog_. I'm not too sure why though. I won't be coming back for the soundtrack, which is generally one of the biggest appeals of these Princess deals, and certain things are so *yawn* Disney that you can call them before you press play, but at least it's a little different.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
A waitress, desperate to fulfill her dreams as a restaurant owner, is set on a journey to turn a frog prince back into a human being, but she has to face the same problem after she kisses him.


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The Princess and the Frog 2009 Filmaffinity

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The Bra 2018 Filmaffinity

The Bra 2018 Filmaffinity






The Bra 2018 Filmaffinity- 18 - untertitel -TVrip- HD gratis en línea - después -año- inglés .jpg



The Bra 2018 Filmaffinity




Equipo De Filmación




Coordinación Departamento de arte:
Meyron Hartman


Coordinador de acrobacias:
Elijah Aroha


Diseño de guión:
Maree Dhir


Imágenes : Bocquet Arienne
Co-Produzent : Willie Boon


Productor ejecutivo : Moheen Dhiya


Director de arte supervisor:
Jayana Teegan


Produce|Producir : Marlyn Bernyce


Fabricante: Ozon Scarlet


Actriz : Bettine Nohé








7.3
4















































Título de la película






The Bra 2018 Filmaffinity







Duración




142 segundos





Lanzamiento




2018-01-01





objetos de valor




MPEG-2 720p
HDRip





Categoría




Drama, Comedy





lenguaje










nombre de reparto




Cobb
D.
Lowrie, Augsburger PuppenkisteHazra B. Balraj, Anzar W. Mouton







[HD] The Bra 2018 Filmaffinity



The Bra tells the story of the lonely and soon to be pensioned train driver Nurlan. On his last day of work his train hits a clothes line and snags a white bra with blue dots with it. Determined to find the owner, Nurlan leaves no stone unturned and embarks on a dazzling journey through the neighbourhoods of Baku, trying to convince as many women as possible to try on the lost bra.


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